Yasmin Moll

About

I am an anthropologist of religion and media with expertise in the Middle East. I am also a visual and multimodal ethnographer. My research is informed by a conceptual attunement to difference and emancipatory politics within authoritarian contexts. My first book explores the role Islamic television played in Egypt’s 2011 revolution. My new ethnography on the intersections of Nubian digital activism, race, indigeneity, and social memory in Egypt takes the form of multimodal collaborations in film and animation. 

My upcoming book explores Islamic television channels as sites of critique in the revolutionary Egypt of the 2011 uprising. My newest research revolves around two topics: a Henry Luce funded collaborative project with Emory University on the global politics of “moderate Islam” and a co-creative, multi-modal project on Nubian cultural activism and material heritage across Egypt and Sudan, funded by the Humanities Collaboratory. 

Recent Publications

My recent journal publications have focused on subtitling on Islamic television as a form of critique (Public Culture), on what debates over new forms of Islamic media reveal about shifting theological evaluations of the religious and the secular (Cultural Anthropology), on how the conceptual history of Islamic media provincializes Euro-American decolonizing projects (International Journal of Middle East Studies) and on the changing criteria of ritual aptness in Islamic preaching in a digital media age (Comparative Studies in South Asia, Africa and the Middle East) . 

I have written on the methodological approaches thick concepts such the “revolutionary” and the “Islamic” demand as well as on how to understand the stakes of an ethic of co-habitation beyond secular-religious binaries. 

Multi-Modal Projects

 I am in post-production on a new ethnographic film about Nubian activism, shot between 2015-2019 in Cairo and Aswan. Through interview and observational filming and archival footage, the film explores how raced identities become politicized at the intersections of local power dynamics and global imaginaries. In doing so, I center race and anti-blackness as a significant, if often overlooked, terrain of struggle within the Middle East, while while adding a comparative ethnographic lens to their critical theorization beyond paradigmatic North Atlantic histories and structures.

I explore some of the issues in a essay reflecting on the community politics of narrating Nubia between solidarity and sentimentalism, including within my own family histories.

A second multimodal project centers on the social life of the visual ethnography of Old Nubia and has resulted in a short animated film. The film examines how Nubians in Egypt remember the loss of our ancestral homeland when the Aswan High Dam was built in 1964.  The basis of the animation consists of ethnographic photos of Old Nubia taken by anthropologists in the 1960s. These photos are an important archive for Nubians seeking both to provide a thicker account of displacement in the face of state erasure and to revitalize traditions and languages for new generations. We reimagined these photos as visual accompaniment to an iconic displacement song. 

You can read more about this collaboration in the LSA Magazine feature "Nubia is a Place Inside Us." 

My previous documentaries include Fashioning Faith, a behind-the-scenes look at the intersections of Muslim-American piety and sartorial design, and the three-minute digital story The Women of Tahrir. 

Teaching

I teach undergraduate courses in the anthropology of Islam and on religion, media and politics. I have offered graduate seminars on religion, critique and the secular as well as on the ethnography of Muslim societies. With Rebecca Wollenberg in Judaic Studies I am co-convener of the sensory pedagogy program "The Abrahamic Sensorium."